This is a template for a simple marketing or informational website. It includes a large callout called a jumbotron and three supporting pieces of content. Use it as a starting point to create something more unique.
OpenTable is the world’s leading provider of online restaurant reservations, seating more than 19 million diners per month via online bookings across more than 37,000 restaurants — helping more than 1 billion diners since its inception.
Hooking a New Audience with Compelling Content
OpenTable’s position as the leader in the reservation space gives it access to unparalleled trend data that it leverages to create fantastic content. A seasonal campaign featuring a series of “listicles” was a highly effective example.
OpenTable developed a summer-themed campaign that would stand out for a specific, different type of audience: travellers. Their campaign strategy focused on three primary goals:
As similar campaigns had been launched within their market segment, OpenTable knew they had to focus on a creative angle to drive engagement. They decided to make visual assets the focal point of their campaign.
“We wanted this campaign to be useful to travellers and highlight the insider knowledge of our local team from across the country about the restaurants in their market. We also wanted to feature markets that are not typically included on national lists, so people feel like they received unique recommendations from locals,” said Lisa Singh, Senior Manager, Public Relations, OpenTable, Inc. “Finally, we decided to support this campaign with something more visual and different than our other list campaigns.”
Compelling Visual Assets Promoted and Syndicated in All Key Audience Channels
With a clear vision of their goals and the hurdles they would need to overcome, the #SavorTheRoad OpenTable Summer Road Trip Restaurant Guide campaign was born. The execution strategy focused one subset of content: compelling visual assets.
“We originally wanted to create one map, but restaurants were getting lost and there was no good way to present it online, especially for mobile. We came up with the idea to segment it by region, making it more mobile-friendly, shareable and easier to search. This differentiates it from other road trip maps, as viewers don’t have to try to navigate one massive map and zoom in on specific destinations,” said Singh.
OpenTable created six visual assets to promote in the channels their target audience was engaged in: website, blog post, social media and online presence via news release distribution. They used an integrated, coordinated approach to maximize the reach of the campaign. Key components included:
By sending their news release and its six listicle infographics via PR Newswire’s comprehensive, multichannel distribution network, OpenTable maximized the reach of its campaign, amplifying its digital exposure, improving its visibility in search and reaching premium targeted publications and journalists.
To feature their multimedia, OpenTable took advantage of PRNewswire.com’s optimized gallery template option. By displaying all their multimedia assets front and center, OpenTable’s news release stood out from similar plain text releases and acted as a digital media hub where journalists, bloggers and influencers could easily access all the visual assets in one space.
“Visual assets were crucial to telling the story and bringing it to life,” said Singh. “This campaign would have been an impossible task without the visuals and PR Newswire’s new, improved and beautiful template for photos and imagery.”
Reached new, existing and unexpected audiences and increased engagement
“The campaign was a win. We received great news coverage and social engagement – it was really exciting to see,” said Singh. “Additionally, aside from standard pickup – we saw some interesting coverage around the campaign itself, on a marketing blog. We got some great PR about doing great PR!”
“The campaign exceeded expectations,” said Tiffany Fox, Senior Director, Corporate Communications. “One of the key reasons why is because it also resonated in Japan. There are a lot of travellers from Japan that visit the U.S., and the Japanese media were receptive to our content—particularly the visuals.”